Matinee Mode by Leigh Witchel New York City Ballet’s final program, though it was also done in the evening, was very, very…
Night of the Introverts by Leigh Witchel The temperature dropped a few degrees when the alternate cast took the stage at New York City…
Promote or Kill by Leigh Witchel Welcome to New York City Ballet’s favorite game show, Promote or Kill, where the company gives a…
Americana Lite by Leigh Witchel Most ballets look better after a year. Justin Peck’s Copland Dance Episodes, which New York City Ballet…
Cross-Section by Leigh Witchel New York City Ballet’s quadruple bill featured four different choreographers’ hits and rarities, and dealt with Peter…
Two Masterpieces by Leigh Witchel New York City Ballet paired up two of its gems, but set several new stones in them.…
Holding On by Leigh Witchel Aging for a dancer isn’t just a slide into decrepitude. There’s a level of experience, in stagecraft…
Everything is Connected by Leigh Witchel There is no ballet that does not remind me of another ballet. This is not a bad…
Almost a Cast Change by Leigh Witchel There wasn’t much of a cast change between the two casts of the All-Robbins program at New…
Awakening by Leigh Witchel The most awaited event of New York City Ballet’s season was likely Alexei Ratmansky’s first new ballet…
