After the Master

by Leigh Witchel The Taylor company’s season was a celebration of Taylor himself. Opening night featured a quartet of his … More

Bosch – Bausch

by Leigh Witchel You can have a nose for delivering an eyeful, but that might not add up to a … More

by Leigh Witchel “The Day” was a dream in slow motion. Created in two parts, the germ of the material … More

by Leigh Witchel Kyle Marshall’s work set itself apart quickly. He’s been around: he worked with Doug Elkins and currently … More

by Leigh Witchel Like its inspiration, Carrie Ahern’s “Sex Status 2.0” is more about status than sex. Ahern, who has … More

by Leigh Witchel In the middle of the Paul Taylor season the company served a triple-decker sandwich. The filling was … More

by Leigh Witchel Ballet West isn’t a Balanchine company – whatever that means at this point. It doesn’t need to … More

Tucked into a corner behind the theaters of the Lincoln Center campus lies a treasure as great as any of … More