Game of Casts by Karen Backstein What happens when a ballerina gets injured and can’t do her show? Well, at American Ballet Theatre,…
Torn Letters, Shattered Dreams by Karen Backstein After a run last summer, American Ballet Theatre encored John Cranko’s Onegin, based on Alexander Pushkin’s classic…
Pastiche by Leigh Witchel American Ballet Theatre has been doing Frederick Ashton’s Sylvia for more than two decades now. Often, it…
Two Halves That Were More Than a Whole by Leigh Witchel The American Dance Odyssey, the fourth collaboration between the New World Symphony and Miami City Ballet, was…
The Ballet of Dorian Gray by Leigh Witchel Is a ballet process or product? That may depend on if you’re in the studio or the…
Familiar Swan, New Siegfried by Karen Backstein For the first week of their annual summer season at Metropolitan Opera House, American Ballet Theatre returned…
Mary, Mary by Karen Backstein The Scottish Ballet zipped into Lincoln Center for a run of just four days, giving New York…
Enormous Changes at the Next to the Last Minute by Leigh Witchel At American Ballet Theatre, someone couldn’t exit, so someone else had to enter. Cory Stearns was to…
And Now for Something Completely Different – but the Same by Leigh Witchel There was no denying the fireworks at American Ballet Theatre Studio Company’s season at The Joyce Theater…
Bach to Bach by Karen Backstein The New York City Ballet paid tribute during the spring season to the music of Johann Sebastian…
