The Master’s Influence by Karen Backstein The big news for New York City Ballet’s Eclectic NYCB III program was Tiler Peck’s Symphonie Espagnole,…
The Advent of a Ballerina by Leigh Witchel Once again, Alexa Maxwell is a contestant on NYCB’s most dangerous game, Promote or Kill. But if…
Suzanne’s Version by Leigh Witchel On the first week of New York City Ballet’s spring season Mira Nadon made her debut in…
Less or More? by Leigh Witchel In classical ballet, particularly neoclassical, less is more. But nowadays, more is more . . . at…
The Good, the Bland, and the Beautiful by Karen Backstein New York City Ballet presented a quartet of recent ballets for its Contemporary Choreography program. Relatively, at…
Artists and Icons by Karen Backstein New York City Ballet moved back in time for its Innovators and Icons program. It wasn’t only…
Death be not Proud by Leigh Witchel Even with injuries and absences early on in the spring season, New York City Ballet held on…
The Natural by Leigh Witchel It’s spring, and New York City Ballet is back. The first week brought a plethora of debuts…
The Way We Were? by Karen Backstein It’s been quite a year for Kyle Abraham. Not only is his company, A.I.M, celebrating its 20th…
Old Standards, New Standards by Leigh Witchel We’re in an era of retrenchment, and Dance Theatre of Harlem has dug in as well. As…
